Now the Feminists Have Beef with Jennifer Egan, Too

If you remember, chick lit authors and loud Twitter presences Jennifer Weiner and Jodi Picoult were really pissed earlier this year with all the press Jonathan Franzen's Freedom was getting when it came out. They claimed that the book was being pushed to a higher level of greatness than it deserved, all because he was a man and the NYT Book Review was a "Boys Club". Google #FRANZENFREUDE or click the link above for more info-- they may have had a point. So because of this, many women writers were shooting for Egan's A Visit From the Goon Squad to be the book of the year instead. And now that Goon Squad has won the 2011 Pulitzer Prize for Fiction, all of the literary feminists of the world should be happy, but instead they're pissed because in an interview with the Wall Street Journal hours after winning the Pulitzer, Egan inadvertently dissed CHICK LIT- NOOOOOOOOOO!Here is the quote that's causing feminist backlash all over the internets:WSJ: Over the past year, there’s been a debate about female and male writers and how they come off in the press. Franzen made clear that “Freedom” was going to be important,while  others say that Allegra Goodman was too quiet about “The Cookbook Collector.” Do you think female writers have to start proclaiming, “OK, my book is going to be the book of the century”?JE: Anyone can say anything, that’s easy. My focus is less on the need for women to trumpet their own achievements than to shoot high and achieve a lot. What I want to see is young, ambitious writers. And there are tons of them. Look at “The Tiger’s Wife.” There was that scandal with the Harvard student who was found to have plagiarized. But she had plagiarized very derivative, banal stuff. This is your big first move? These are your models? I’m not saying you should say you’ve never done anything good, but I don’t go around saying I’ve written the book of the century. My advice for young female writers would be to shoot high and not cower.Jamie Beckman, a columnist at The Frisky, wrote an article shaming Egan for acting as if the problem here was the fact that Harvard student Kaavya Viswanathan was not that she plagiarized, but that she borrowed material from chick lit authors, implying that chick lit was "derivative" and "banal". Beckman mentions that Egan is “one of her favorite authors of all time,” but now expresses doubt that she’ll ever recommend Egan’s work to anyone again.Egan has yet to issue a statement apologizing or reiterating her claims.My personal opinion: Whatever girl, you won a f$&#ing Pulitzer. And it wasn't won by writing chick lit, sooooo.

If You've Got Writer's Block:

Just a small, encouraging thought I had this evening that could possibly, maybe help with your Sunday night writer's block?Human beings, inherently, are storytellers. Think about it-- we dream. All of us do. Our dreams begin, and end. Things happen in them, and often they mean something. And even when its meaning is foggy, there's something being recorded there. Details from your life are being arranged in some way and it's your brain that's doing it for you. On the low, without you telling it to. Putting ideas in order and leaving an impression for you to remember when you wake up.The way our brain translates information is by literally turning it into a story. If our brains can do this subconsciously, while we're sleeping, you sure as hell should be able to do it when your eyes are still open and your brain is in tune. CHU KNOW? Great! Keep writing. Cyaaaaa.

REVIEW: Yoko Ogawa's HOTEL IRIS

At a party about a month ago, I picked up a thin paperback that was sitting on my friend's kitchen table called One Hundred Strokes of the Brush Before Bed. I hadn't heard a thing about it but apparently everybody else had-- the cover claimed it was an international bestseller (translated originally from Italian) with over 1,000,000 copies sold. One Hundred Strokes is an ostensibly autobiographical novella that recounts a Sicilian schoolgirl's sexual exploits over about a year. It isn't really a coming-of-age story-- it's more like borderline soft/hardcore erotica, a strange book about a young girl who discovers her body and "wants to explore its limits," asking for help from a few older men she finds to seduce her on the way. I took it home with me and read it quickly, and it was quite a romp, as far as that kind of stuff goes. I say "romp" because it isn't a story of a sexually-curious girl who gets hurt and learns a lesson at the end after something tragically rape-y happens to her. Melissa P, the novella's protagonist, doesn't really learn many lessons. She is in control the entire time. She learns about her body as she goes along-- she is entirely conscious of what is being done to her and how her body reacts to it. So she's a likable protagonist, because she isn't stupid. Sure she's naive, as most sixteen year old girls are, but she has limits for herself and eventually knows when to hold her hands up and say "no." I wouldn't go as far to say that this book was a good book, because it wasn't. It's a translated text, and the prose just kinda pedals through until it gets you to the end.Similarly, Yoko Ogawa's Hotel Iris also follows a naive protagonist who goes through a journey of sexual enlightenment and awakening -- sort of. The difference between One Hundred Strokes' Melissa P and Hotel Iris's Mari is that while Melissa P falls in love (healthily, almost normally) with the idea of sex, Mari instead falls in love with a fifty eight year old sadist who lives on an island off the coast of her tiny Japanese shore town. He whips her, and binds her, and essentially makes her his slave, and she doesn't think twice-- because she loves him. And so all these things he does to her, she "LIKES IT", or thinks she does- because of how in love with him she is, she doesn't know anything else. Originally written in Japanese, the translated prose of Hotel Iris is really quite beautiful. There are moments in the story during which the writing itself is just as exciting as the suspense you feel during the graphic sex scenes between Mari and her "lover". (There is one chapter in particular in which Mari and the old Russian translator visit a traveling circus that does nothing to advance the plot but is gorgeously descriptive and sad, and may be the literary highlight of the entire book.)My one issue with Iris, though, is Mari herself. The author gives us reason enough to like her-- having grown up beneath her mother's strict grip, it's exciting to watch Mari invent excuses to leave her post at the front desk of her family's run-down motel to go gallivant with the old translator. But this is where Mari's agency stops. In any scene where Mari is with translator, her character draws inward and becomes-- boring, maybe? Although the observations she makes about her lover are certainly perceptive and intriguing (the old man is actually quite a fascinating character in his own rite and not at all entirely despicable), they all come from a place of utter entrancement, pure infatuation. The fact that Mari is so in love with this stranger, the fact that she never once questions her feelings towards him, makes her quite limited as a protagonist. Even during the climax of the story, during which Mari is exposed to a truly humiliating circumstance, her inner thoughts sway only slightly-- she's still so in love with the translator that her thoughts come close to being inconsequential in the context of the events she's experiencing. Mari's lack of any sort of emotional revelation, big or small, made me question how to feel at the end of the book-- is Mari's blamelessness what makes this story tragic? What makes the story good? Or is the ending a sort of triumph for Mari? It's difficult to decide. Which, I suppose, is a good thing.Unlike Hotel Iris, One Hundred Strokes doesn't leave you with much of a feeling at all. Because Melissa is never really hurt, although she is likable, there is no reason to really feel for her. It certainly made me question the thought that a protagonist has to be likable in order for a book to be good. In this case, with these two books, the answer to that was blurred for me. I'm certain I much preferred Hotel Iris to One Hundred Strokes.So:Do not read: One Hundred Strokes of the Brush Before Bed by Melissa PInstead, read: Hotel Iris by Yoko OgawaAlso, while we're on the topic, watch Secretary!Enjoy the snow?CD

The Death of the Bookstore Franchise

Helloooo from New Jersey. Yesterday I had the displeasure of getting the e-mail that a Borders in my area was closing-- specifically, the Borders I grew up loving and going to all the time ever since I was a little bookwormin' weirdo. There's been a Borders at the Garden State Plaza mall in Paramus, NJ ever since I can remember. First there was the old one, with the red-lettered sign (#90sswag?)... small, cozy, two stories... the children's room in the basement, I remember, had a stage for storytelling. This was before Barnes and Noble got all macho with their bookstores--this was before the franchising really started. I remember being about 8 sitting up on that stage waiting for my dad and reading an Amelia Bedelia book while these two pre-pubescent twerps next to me peeped a book about the human body. They were laughing at the penises and making sure it was tilted AWAY from me to protect my widdle eyes. They couldn't have been more than two years older than me. When my dad returned with a cup of coffee (It was not Seattle's Best-- Borders didn't start serving coffee in their stores until 2004), the kids had since gone, and right before heading to the checkout I placed my Amelia Bedelia book back on the shelf and instead picked up the Anatomy book the kids had left sitting on the stage, and offered it to the cashier for scanning and bagging.But then they closed that one, at some point while I was in high school, and they opened the Mondo Borders in the new wing of the GSP. This monster was created to compete with the immense Barnes & Noble that had opened down Route 17 a few years prior-- this new Borders was complete with the coffeeshop, the racks of DVDs, and even a designated area for selling clothing (at the time, probably all Harry Potter related). But monster or not: the new store was exciting. It was huge. They'd succeeded in creating a bookstore-turned-hang out spot, turned study-area, turned empire. More rows of books to leaf through and more comfortable couches to waste time on, and coffee or iced chais to sip on whether you were tired or not.In the past year or so there have been articles upon articles about how large bookstore chains are out and independent bookstores are in, as less and less people are actually going out and buying a novel when they could just as easily stream a movie via Netflix instant watch or download a book from a website. And now I was really about to understand what monster had actually been slain-- the store whose opening seemed so triumphant to me six or seven years ago is one of the  locations Borders Group is closing after the decision last month to file for Chapter 11 Bankruptcy.And so I made my way to the Borders at the Garden State Plaza yesterday which is set to close at the end of March. The entire store, as one can imagine, was in disarray-- magazines strewn all over the place, DVDs in the Poetry section, sets of Seinfeld series placed underneath the "NEW PAPERBACKS" table. Etc. Black and yellow signs hung from the light fixtures, proclaiming that "EVERYTHING MUST GO"-- 20% off all fiction, 40% off most everything else. The signs were everywhere-- the store felt more like a warehouse than anything else. Certainly no longer a hang-out spot. Certainly no empire.It was depressing. I trudged over to the Fiction section, picked up a copy of A Visit from the Goon Squad, and wandered around aimlessly to see if there was anything else I wanted to grab. And Then: I spotted the line. At first, it made me feel a little less bad about things. The line was the longest I'd ever seen it-- curving around the DVD section first and then through the animal calendars, it was the kind of line you see outside the Apple store the morning a new iPhone is released.  It raised my spirits a bit. People don't suck! People do like to read!I got on line and to the left of me I noticed a teenage couple fiddling with the Borders' version of the Kindle, the $150 (now only $99!) "Kobo". Unlike the Barnes & Noble down the highway, this Borders doesn't have an information desk manned by five or six "E-Reader Experts" whose job it is to push the e-reader on you like a travel agent would a timeshare package.  The Kobos simply sit on their own respective wooden table, next to "Great Gift Ideas", with only one Kobo actually hooked up and running for shoppers to fiddle with. (Some say this is where the Borders Group went wrong-- when e-readers started to become popular in 2008, Borders outsourced their e-reader sales to Amazon, who, in turn, were the ones to make a fortune on them. Barnes & Noble, however, did not outsource to Amazon, and now the B&N "Nook" accounts for 25% of the e-reader market.) I eavesdrop on the conversation and I hear the boy ask his girlfriend, "Can you click on this?" (Click on what? I'm wondering.)To which the girl responds, "I dunno, but I think you can use it to play games.""Huh," he says, before pounding away at a side button.There were about fifty to sixty people on that Borders line last night. I believe I spent about thirty minutes on it, which is a long time to stand on any line that doesn't promise a rollercoaster at the end. And I shit you not when I say that, as far as my eyes could see, not one person (not ONE) had in their hands an actual novel. The tiny happiness I felt when I first saw the line dissolved into minor whitegirlproblem-esque despair.So perhaps it isn't the bookstore franchise that is dying-- perhaps it just comes down to the simple fact that people just aren't reading novels anymore. Perhaps literature really is soon to be dead. But I refuse to believe that people can no longer find time in their lives for stories. And, luckily, eavesdropping on another couple's conversation left me feeling a tad bit better about the entire thing.Right before it was my turn at the cash register (my last time ever at this store), an elderly couple in line behind me start to get a bit rowdy. "I can't carry this shit anymore," the woman says to her husband. "Hold it for me." I turn around to watch as the woman passes over to her husband an entire collection of Burts Bees products that was marked down 40% from its original price."Oh." The woman is suddenly sidetracked. "Grab that funny New Jersey book. Is that on sale?"Her husband picks up Weird NJ from a nearby rack, and begins to flip through it. "You want this? This can't be real," he says to his wife."Who cares?" she yells, irritated. "That's not the damn point!"The old lady grabs the book from her husband and stuffs it under her arm, making an immediate decision to purchase it.Well , fine, okay then. I am okay with that spirit.

Rebecca Stead's When You Reach Me-- rethinking YA lit?

Similarly to the way I spent all of my allowance money of the late 1990's on "Official" books about Leonardo DiCaprio's life (Lovin' Leo, anybody?), I think about kids of this decade as being hypnotized with love for books about vampires who make out, werewolves who make out with vampires, and Justin Bieber biographies (this Amazon bestseller, which is subtitled "First Step 2 Forever", is a hearty 240 pages and claims to be"100% official"). I've just assumed that the Twilight kids were the ones responsible for the YA industry's big sales boom of the past few years. But when you take a look at the New York Times Bestsellers list for children's books, it is a refreshing surprise: there is not one Twilight book in sight, and only one book's tagline makes mention of a werewolf. In fact, the top three bestselling children's book paperbacks of the moment deal with rather serious and consequential themes-- censorship, the absence of love (ok, it's close), and being different (and accepted for it), respectively. Meanwhile, the NYT Bestseller's list for adults is rounded off by James Patterson and two Stieg Larsson books-- granted, adults don't have schools buying mass quantities of books to teach in English classes but still, whatever this contrast says is interesting to think about.I've taken an interest in Young Adult fiction ever since I realized how many books I read as a child have stuck with me in ways that a lot of literature I've read in the past five or so years has not. And when I say "stuck with me" I don't mean just books I remember-- I mean these books have impacted, subconsciously or not, the things I write about now. When I googled the entire list of Newbery Award winners (1922-present), I realized that I distinctly remember reading and enjoying most of the books that won or were honored by the award's academy between the years 1993-2000. Even now, looking back to Lois Lowry's Number the Stars or Jerry Spinelli's Maniac McGee, I am not simply fond of the nostalgia these titles generate, but of the stories these books told.And I suppose ogling at ALA's Newbery list is how I found/decided to read Rebecca Stead's When You Reach Me, which won the 2010 Newbery medal and is also #7 on the NYT children's bestseller list mentioned above.Stead's When You Reach Me takes place in slippery-sketchy 1970s Manhattan and tells the story about a mature-enough sixth-grade girl who begins to discover mysterious notes left for her in places only she would think to put them. The book's genre is tricky to delineate-- I suppose it is marketed as being part mystery, part sci-fi, but only because time travel plays a part in the crafting of protagonist Miranda's journey. The most refreshing part of the book, I found, is that it doesn't rely on its sci-fi twist to make sense of the story-- the book is, above all things, a story about life-- specifically, observing it.What I enjoyed about this book is that because you go into it looking at Miranda's life as if the entire thing is the scene of some crime (Miranda herself is looking at it that way as she tries to figure out which person is suspicious enough to have left the notes), the book at first seems like some sort of typical, formulaic mystery. Until you realize that Miranda isn't really getting anywhere with her findings. All Miranda is trying to figure out, really, is how to live and how to keep living. She's dissecting and dissecting, making astute (not just for a sixth grader) observations about the girls in her class or the guy who works at the deli around the corner-- as a reader you become interested in the mystery of the notes she's trying to solve, but simultaneously, and more importantly, you become invested in the indirect ways she's attempting to solve the inviolable mystery of life.There's something existential going on in this book, which is surprising for a story whose target audience is ages 10-13. As you're reading it it might not seem so at first until you finish it and you're kinda just like .... "Woah?" It's quite a story, and it's different, and it confirmed my suspicions that YA books can do the same things that literary fiction can, except in a more straightforward, honest way.There's my suggestion of the week. Quit being haughty, read more YA.

WEBSITES 4 WRITERS

Welcome back erryone. I'm Christina, and I sincerely hope you all spent as much time in bed this break as I did. I'm new here, and so is the West 10th Twitter-- how exciting! You should follow us immediately, before we blow up. What we're hoping to do via "social media" (shudder) is create a little window that will at the very least introduce you guys to the nice literary community that exists over the internets. If you're like me, a lot of your IRL friends do not classify themselves as "writers"...and a few of them might not even read. You might have a little circle of book club friends, but look at you, are you really in a book club? It's true-- people like us, they doooo exist! And they've got smart and helpful things for you to read and think about. It helps when you know other people are struggling the same way you are.Since all I read this break was Columbine by Dave Cullen and one-half of In Cold Blood (sorry, on a kick here), I didn't want to start off my first blog with a sad touchy violent review. So instead, in !!!celebration!!! of all the tweets and retweets in our near future, I've put together a list of websites I as a reader/writer/kollege student have found to be the most helpful, the most entertaining, and/or the most fun. RESPOND! BE INTERACTIVE! by posting your favorite lit-themed websites. And do browse these-- I promise my taste is OK.Advice to Writers- Really, really, really fantastic collection to browse through when you feel like your work isn't %!#&ing working. Cheesy quotes=very rare.Electric Lit - This Brooklyn-based literary magazine's blog is surprisingly entertaining, not pretentious, and informative about readings and release parties that go on in the NY/BK area. Also, I like whoever tweets for them-- they're funny.The Millions- They're big on lists, which are always helpful/nice to read in the morning with yo coffee. Always new essays, features, and reviews to read, too.Book Bench-  The New Yorker book blog. Doing their thang.Book Forum- I've been introduced to a few new writers via articles from their website-- definitely something to check out.Thought Catalog- Nope. Not a literary site. Just a well-organized blog where people can share their funny/cute/gross thoughts about pop culture and ex-everythings. They're all short, and they're all good. Literally just spent an hour on here today.Don't forget to FOLLOW US ON TWITTER! And plz, go gentle into this spring semester. CD